Tagged: SEE
SEE FEST LA – AWARDS
SEE Fest in LA is over and here are the winners:
“Director Tudor Jurgiu from Romania won Bridging the Borders award for Best Feature Film of the festival for his debut film, The Japanese Dog. Special Jury Mention went to Croatian filmmaker Tomislav Mršić for his debut film, Cowboys, and Special Jury Prize for Best Ensemble Cast was awarded to Albanian feature Bota, co-directed by Iris Elezi and Thomas Logoreci.
Down the River by Asif Rustamov from Azerbaijan won the Best First Feature award. Two narrative documentaries shared the Best Documentary Award, The Undertaker by Dragan Nikolić from Serbia, and Romania’s Flowers in the Shadows by Belgian director Olivier Magis. Awards for Best Cinematography went to Bulgarian Rat Poison director of photography Krasimir Andonov (feature film), and Dragan Vildović (documentary film) for his work in In the Dark from Serbia.
In the shorts category Strahinja Savić from Serbia won Best Short Fiction award for Nine Days, Alexandr Baev’s Once Upon Another Time from Georgia won for Best Documentary short, and Anton Octavian from Romania won Best Animation Short award for Elmando.
Winners of 2015 Audience Award were Albanian Bota (feature film), and Serbian In the Dark (narrative documentary).”
Congratulations to the winning filmmakers!
Two Croatian films at worldfest Houston this sunday (April 12) and monday (April 13)!!
Browsing through the programme of World Fest, one of Houston’s Film Festivals, I was happy to find two productions from Croatia this year!
Sunday April 12, 7pm: Cvjetni Trg // Flower Square, Croatia, 2012
Synopsis: “Nationalism, church and organized crime make for an unholy trinity in Krsto Papic’s powerful story of a man trapped in a world he not only never made, but also wants no part of. The world is Croatia, where a mobster named Macko seems to controls everything — from the underworld to the Catholic Church to the fate of his brother, who resents the mafioso for sleeping with his wife and destroying his marriage years ago. The real focus of “Flower Square,” however, is a nobody actor in a puppet show named Filip, who is blackmailed into posing as a priest to trick Macko to confess to committing an array of crimes.”
get tickets here.
Monday April 13, 9pm: Most na kraju svijeta // Bridge at the end of the world, Croatia/Bosnia/Serbia, 20134
Synopsis: “The film “The Bridge at the End of the World” deals with the unfortunate human destinies from the war in Croatia. In fear of the return of Serbian refugees to their houses in which they lived before the war and that in the meantime populated with Croat refugees from Bosnia, an old man disappears, and the investigation that starts from a police officer who lives in a Serbian house, will become more personal.”
get tickets here.
Films screen at ACME studio 30, 2949 Dunvale St., Houston.
SEEfest LA (April 30 – May 7) announces program for 2015!
There are only a handful of festivals devoted to Eastern European film in the world, and one of them is SEEfest in LA. Taking place every year in April, the festival extends it’s program over a full week this year. Even though SEE stands here too for South Eastern Europe and it was decisively founded with the intention to promote films from this area, it also includes contributions from the adjacent region like Turkey, the Baltic States.
The festival is competitive, but unlike many others does not charge a submission fee. Films compete in the categories
Best Feature Film
Best Documentary Film (long and short)
Best First Feature Film
Best Short Film
Best Cinematography
And includes also an Audience Award.
And because the festival takes place in LA, the home of Hollywood and cradle of the US film industry, there is also a *free* industry event, this year on Saturday, May 2.
Check out the full festival program here.
LGBT films from SEE
(photo source: Balkanist Magazine)
The other day at a filmmakers gathering I had the pleasure to chat with Kristian Salinas, the artistic director of Houston’s Q-Fest, a queer and LGBT film festival. I mentioned the topic of the Sworn Virgins to him and what a coincidence that an Italian-Albanian co-production shown on this year’s Berlinale picked it up (see my post here).
Three years ago, the gay pride parade in the city of Split, Croatia, was cancelled due to protests and threats from religious and nationalistic groups of society.
I vividly remember the support march some friends organised in Rijeka, where I was living at the moment. We met on a square above the city centre on one of these cool spring days, when the weather cannot decide on rain or shine. Maybe 70 people had gathered, but there was no glitter nor revealing costumes, as you see in abundance on the big Christopher Street Day parades elsewhere. After a short speech, the crowd descended on the city’s main pedestrian precinct. A little down the hill, there was riot police to protect the demonstrators. Continue reading
SEE Films at Berlinale 2015
The grand dame of film festivals, the Berlinale, had always had good connections with South Eastern Europe and many films have premiered there. Just the other day I was talking about the phenomenon of Sworn Virgins in the mountains of Albania, where women vow to live as men and subsequently enjoy a man’s privileges. I knew there were some documentaries about them, and now the first feature film on that topics, Vergine giurata / Sworn Virgin hails from Albania and Italy! The only other candidate in the competition is a Romanian-Bulgarian history piece set in 1835 multiethnic Wallachia, where a father and son embark on a Western-esque man hunt. Whereas Aferim! is shot in black and white, De ce eu? / Why me?, shown in the Panorama section, paints an equally grim perspective on contemporary Romanian society: a young prosecutor is assigned to a case he cannot win. Flotel Europa, the only feature from the former Yugoslavia and patched together from home videos, depicts life of Serbian refugees in a hotel ship in Copenhagen. Croatia contributes a short film in the generation 14+ section: in Piknik / Picnic a box fight is needed to break the ice between estranged father and son.
Read more about the films after the jump.
SEE FILM CLUB 